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      <image:title>Curatorial - Emily Roysdon: Pause Pose Discompose</image:title>
      <image:caption>UT VAC / 2012</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55356a23e4b0d9282f5fdb27/1588704256184-SVQIYCNHA81FEFV1C8LH/69039357_532883940818654_2507616301093300159_n%281%29.jpg</image:loc>
      <image:title>Curatorial - Warmly Persuasive: ICOSA in LA</image:title>
      <image:caption>Tiger Strikes Asteroid / Montevista Projects / 2019</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55356a23e4b0d9282f5fdb27/1429722809337-SY5UR4ODH7VULMGYHYU6/002.sanmarcos.quinn.jpg</image:loc>
      <image:title>Curatorial - SUBstainability</image:title>
      <image:caption>Texas State University Galleries / 2011 co-curated with Mary Mikel Stump</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55356a23e4b0d9282f5fdb27/1429723009881-LXH6TZ8AH1KKE88HVEUK/704129_10152285742275251_1590433245_o.jpg</image:loc>
      <image:title>Curatorial - Identify Me and Probe.</image:title>
      <image:caption>The Galleries at Texas State and Zosima Gallery / 2011-2012 (co-curated with the students of Video/AIDS)</image:caption>
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      <image:title>Curatorial - The Only Knowledge Worth Possessing</image:title>
      <image:caption>grayDUCK Gallery / 2015 (co-curated with Sarah Celeste Bancroft)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55356a23e4b0d9282f5fdb27/1429722809889-841KRKS43I90DERN18GN/516904df740a1310a780d4b9149085c8-b5abe6639af1f2820bd6cc37da74b234.jpg</image:loc>
      <image:title>Curatorial - Goodly/Wicked</image:title>
      <image:caption>grayDUCK Gallery / 2014 (co-curated with Sarah Celeste Bancroft)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55356a23e4b0d9282f5fdb27/1472762176449-EPCFQ1NV8C03UOZLRUDC/THoR-logo-2-768x488.png</image:loc>
      <image:title>Curatorial - The Honesty of Rocks</image:title>
      <image:caption>grayDUCK Gallery / 2016 (co-curated with Sarah Celeste Bancroft)</image:caption>
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      <image:title>Curatorial - Making it Together and Making it Alone</image:title>
      <image:caption>Creative Research Labs, 2006</image:caption>
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      <image:title>Curatorial - Queering the Museum</image:title>
      <image:caption>Allen Memorial Art Museum / 2004</image:caption>
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      <image:title>Essays / Articles - Wearing History: Viola Johnson's Pin Sash and Mobile Archive</image:title>
      <image:caption>Dress, vol. 45, no. 1 (2019): 23-38.</image:caption>
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      <image:title>Essays / Articles - "Floor, Ceiling, Wall, Garden, Market: The Curatorial Scene of Twenty Centuries of Mexican Art"</image:title>
      <image:caption>in Austin Porter and Sandra Zalman (eds.), Modern in the Making: MoMA and the Modern Experiment, 1929-1949 (London: Bloomsbury, 2020), 65-80.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55356a23e4b0d9282f5fdb27/1666716961410-M12UB7DXPK2NP7Z4GOHL/61u6yPxj94L.jpeg</image:loc>
      <image:title>Essays / Articles - The Schematics of Control: Robert Morris's Philadelphia Labyrinth and In the Realm of the Carceral</image:title>
      <image:caption>in Walls Turned Sideways: Artists Confront the Justice System, ed. Risa Puleo (CAMH, 2018/19)</image:caption>
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      <image:title>Essays / Articles - What's This?... Out of the Darkness...Can It Be?...</image:title>
      <image:caption>Catalogue Essay for Die Kränken: Sprayed With Tears (ONE Archives, 2017)</image:caption>
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      <image:title>Essays / Articles - House Arrest</image:title>
      <image:caption>in Sherin Guirguis: Of Thorns and Love [Craft and Folk Art Museum], 2018/19</image:caption>
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      <image:title>Essays / Articles - One I Know: Sherin Guirguis’s One I Call and the Durability of Form</image:title>
      <image:caption>X-TRA 20.2 (Winter 2018)</image:caption>
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      <image:title>Essays / Articles - STILL WORKING On Richard Meyer and David Román’s Art Works, Parts 1 &amp;amp; 2</image:title>
      <image:caption>GLQ 25.1 (2019)</image:caption>
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      <image:title>Essays / Articles - Letter to my students on the Morning After the Election of Donald Trump</image:title>
      <image:caption>in Suffering From Realness, ed. Denise Markonish (MASS MOCA, 2019/20)</image:caption>
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      <image:title>Essays / Articles - "We're Going to See Blood on Them Next": Beverly Buchanan's Georgia Ruins and Black Negativity</image:title>
      <image:caption>Rhizomes (29), 2016</image:caption>
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      <image:title>Essays / Articles - Island Time</image:title>
      <image:caption>(designed by Jimmy Luu) produced in Vinalhaven, Maine as part of DesignInquiry’s “Prepostness” 2021</image:caption>
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      <image:title>Essays / Articles - Cultural Diplomacy, Cultural Quotation: The Ceramic Circuits of Karen Koblitz</image:title>
      <image:caption>in Cultural Diplomacy: Karen Koblitz (El Camino College, 2018)</image:caption>
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      <image:title>Essays / Articles - Paul Mpagi Sepuya</image:title>
      <image:caption>in Aperture no. 232 (2018)</image:caption>
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      <image:title>Essays / Articles - Somos Piratas</image:title>
      <image:caption>Piedrín, Spring 2017</image:caption>
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    <image:image>
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      <image:title>Essays / Articles - Catalogue Entries</image:title>
      <image:caption>in Trigger: Gender as a Tool and a Weapon, ed. Johanna Burton (New Museum, 2018)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55356a23e4b0d9282f5fdb27/1547682472373-H0K0B85WBSFKPK52FSPY/IMG_2962.jpg</image:loc>
      <image:title>Essays / Articles - Dean Sameshima: Public Sex Zine/Catalog</image:title>
      <image:caption>Design by: Vrlaine</image:caption>
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      <image:title>Essays / Articles - La Sombra, de Margolles: El Espectro de la Muerte en Los Ángeles</image:title>
      <image:caption>Código, August 17, 2016</image:caption>
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      <image:title>Essays / Articles - Pope.L</image:title>
      <image:caption>in Wanderlust: Actions, Traces, Journeys, ed. Rachel Adams (MIT Press, 2017)</image:caption>
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      <image:title>Essays / Articles - Does the Internet Have a Libido?</image:title>
      <image:caption>Pastelegram no. 8 (Fall 2014)</image:caption>
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      <image:title>Essays / Articles - "Parades Go By"</image:title>
      <image:caption>Austin Chronicle</image:caption>
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      <image:title>Essays / Articles - [Review] Texas Contemporary 2015</image:title>
      <image:caption>Terremoto, Oct 10, 2015</image:caption>
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      <image:title>Essays / Articles - Straight Sense</image:title>
      <image:caption>[Book Review] Jean-Luc Nancy, Corpus II: Writings on Sexuality for Reviews in Cultural Theory 5, no. 2 (2014)</image:caption>
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      <image:title>Essays / Articles - Uneven</image:title>
      <image:caption>[catalogue essay] for Jarrod Beck, Backroom Gallery, NYC (2011)</image:caption>
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      <image:title>Essays / Articles - Sister Undetectable</image:title>
      <image:caption>[catalogue essay] Undetectable (curated by Rachel Cook and Nathan Lee), VisualAIDS (2013)</image:caption>
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      <image:title>Essays / Articles - Houston's Duck Is/Was a Root Beer Barrel: Eclectic Historicist Architecture in Energy City</image:title>
      <image:caption>Map, Essay, Primary sources on Houston's Postmodern building boom, Spring 2016</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55356a23e4b0d9282f5fdb27/1666718546587-2N844SV8NO4N23DJ1PY9/9781597113212.jpg</image:loc>
      <image:title>Essays / Articles - K8 Hardy</image:title>
      <image:caption>Aperture (218), Spring 2015 Special Issue: Queer</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55356a23e4b0d9282f5fdb27/1666717577889-6XJE8KS50BF1OI4PMYA4/Screen+Shot+2022-10-25+at+12.06.02+PM.png</image:loc>
      <image:title>Essays / Articles - "Holding Pink: James Turrell's Twilight Epiphany, Banked"</image:title>
      <image:caption>Core Yearbook, Spring 2015</image:caption>
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      <image:title>Essays / Articles - "Troubling Circuits"</image:title>
      <image:caption>[Book Review] Margot Weiss, Techniques of Pleasure: BDSM and the Circuits of Sexuality, GLQ 19, no. 3 (2013).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55356a23e4b0d9282f5fdb27/1429662742793-U42JKE6DFITCPG6IAUD2/WP_20150421_18_28_22_Pro.jpg</image:loc>
      <image:title>Essays / Articles - "On Bletology" and "On Mickey (en Español)"</image:title>
      <image:caption>We've Got Spirit!, Loveytown (2015)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55356a23e4b0d9282f5fdb27/1429662746590-T3TAB694KQDP30SKPEZD/WP_20150421_18_33_37_Pro.jpg</image:loc>
      <image:title>Essays / Articles - How to Be Singular Plural</image:title>
      <image:caption>Art Lies, no. 63 (2009)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55356a23e4b0d9282f5fdb27/1429662743956-C5EVGLHPE66WTE0G2Q4Y/WP_20150421_18_29_39_Pro.jpg</image:loc>
      <image:title>Essays / Articles - Indivisible</image:title>
      <image:caption>[catalogue essay] Leah DeVun: Our Hands on Each Other, Women and Their Work, Austin, TX (2010)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55356a23e4b0d9282f5fdb27/1429662741582-S839GMVQJ9YOK1NIVETV/WP_20150421_18_28_02_Pro.jpg</image:loc>
      <image:title>Essays / Articles - Compassion</image:title>
      <image:caption>[catalogue essay] Drinking from the Snake's Mouth, The Plaines Project, Chicago, IL (2013)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55356a23e4b0d9282f5fdb27/1429662745151-7T2V26KEVYNZNHH6GHCN/WP_20150421_18_29_45_Pro.jpg</image:loc>
      <image:title>Essays / Articles - Prying Optics: An Essay in Four Incongruent Parts with an Epilogue</image:title>
      <image:caption>[catalogue essay] Margaret Meehan: Hystrionics and the Forgotten Arm, Women and Their Work, Austin, TX (2011)</image:caption>
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      <image:title>Essays / Articles - To Kalup (with love)</image:title>
      <image:caption>[catalogue entry] in Desire (curated by Annette Carlozzi), Blanton Museum of Art, Austin, TX (2010)</image:caption>
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      <image:title>Making it Together / Alone</image:title>
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      <image:title>Making it Together / Alone</image:title>
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      <image:title>Making it Together / Alone</image:title>
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    <lastmod>2016-02-14</lastmod>
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      <image:title>Queering the Museum</image:title>
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    <lastmod>2025-11-13</lastmod>
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      <image:title>Events - Upcoming Events:</image:title>
      <image:caption>[CONVERSATION] w/ Alex Olsen on the work of Takako Yamaguchi MOCA, Los Angeles November 15, 2pm [LECTURE] "S o S : Design (and art) help is on the way!” CrossPlatform Graphic Design Lecture Series Illinois State University, Normal November 12</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55356a23e4b0d9282f5fdb27/1578089426108-9LQ802V8VD54TV308QH0/image.jpg</image:loc>
      <image:title>Events - Past Events</image:title>
      <image:caption>[PANEL] ”A Conversation about the de Menil House,” The Menil Collection, Houston November 6, 2025 Link [PANEL] ”Queer, Trans, and Two-Spirit Narratives,” Fisher Museum of Art October 23, 2025 Link [PRESENTATION] ”Exhibiting Archival Materials in Community Spaces,” Town Meeting 1978-2028: Symposium, Art League Houston Link [PRESENTATION] Silton Sings America CAA Annual Conference, New York February 15, 2025 [CONVERSATION] With Matthew Lax on the release of THE HOUNDS OF LOVE HAVE GONE NONVERBAL, the forthcoming zine-essay which accompanies TD2, published by Inga Books (Chicago). Human Resources, Los Angeles November 14, 2024 Link [PRESENTATION] ”Queer Typography: Out of the Archive and Onto the Specimen Sheet” w/ M. Wright St. Edwards University November 7 + 8, 2024 [EXHIBITION] ”Our Patch: Queer Life from Cradle to Grave,” CIRCA - Queer Histories Festival Los Angeles LGBT Center October, 2024 Link [CONVERSATION] ”Telling Them Apart: Eileen Cowin and Jonesy,” with the artists and David Evans Frantz UCR-ARTS April 27, 2024 [PROGRAM / PERFORMANCE] ”Blacklips Performance Cult, A Revisitation,” (co-convened with Amelia Jones) USC-Center for Feminist Research April 11 + 12, 2024 [LECTURE] “Media Archaeology Roski Talk w/ Jennifer West,” USC, November 7, 2023 [CONVERSATION] “Thomas Müller in conversation with Andy Campbell,” Patricia Sweetow Gallery (Los Angles), October 7, 2023 [CONVERSATION] “Simon Haas in conversation with Andy Campbell,” Lora Reynolds Gallery (Austin), August 31, 2023 [PRESENTATION] “Poverty and Practice,” Dora Maar House (Ménerbes, France), April, 2023 [BOOK RELEASE] “Jennifer West: Media Archaeology reading and book signing,” MOCA (Los Angeles), March 23, 2023 [LECTURE] “Flagging: An Anarcho-Hippie-Handmade-Commercial- Communal-Corporate Accounting in Eight Parts,” Cal Poly (San Luis Obispo), March 2, 2023 [LECTURE] ”Who’s in a Name?” Contemporary Artists’ Book Conference October 14, 2022 [CONVERSATION] Queering Art History: Epistemological Rebellions, with Alexis Salas and Laura Gutiérrez Crystal Bridges Museum of American Art October 6, 2022 [CONVERSATION] “Days of Rage”: ONE Archives Activist Poster Exhibition and Conversation with Andy Campbell, Tracy Fenix, and Austen Villacis Otis College of Art and Design April 28, 2022 [PANEL / PROGRAM] ”Days of Access: Finding Our Histories" ONE Archives Foundation, Online April 21, 2022 [PANEL] ”Legibility, and a Way Out,” part of ’Toward an Inclusive Methodology, Experiments in Art Writing’ (College Art Association Annual Conference) February 19, 2022 [CONVERSATION] w/ Jack Pierson Regen Projects, LA October 16, 2022 [LECTURE ”Notes on the Rainbow Flag” OTIS College of Art and Design September 9, 2022 [PANEL] ”Theorizing LGBTQIA+ Style, Fashion, and Dress” Costume Society of America June 16, 2021 [BOOK LAUNCH] Queer Communion + Bound Together + In Between Subjects book event (with Amelia Jones, moderated by Lisa Teasley) ICA LA June 30, 2021 [ISSUE LAUNCH] The Invisible Archive (Vol. L.A., No. 5) launch + “wake” for Camille O’Grady December 5, 2020 Facebook live (@theinvisiblearchive) [LECTURE] “Absolute Activity: In and Around the Archives of Queer X Design,” Out In Tech / Indy Design Week Indianapolis, Indiana May 6, 2020 [LECTURE] “Attached to History: Queer Archives and Contemporary Art and Design,” The Contemporary Austin, Texas March 12, 2020 [CONVERSATION] In conversation with Ellen Lupton UNLV Department of Art Lecture Series Marjorie Barrick Museum, Las Vegas, NV March 5, 2020 [BOOK RELEASE] Bound Together: Leather, Sex, Archives, and Contemporary Art and Queer Communion: Ron Athey (co-edited with Amelia Jones) CAA - Annual Conference, Chicago, IL February 14, 2020 [LECTURE] “How to Talk About Tom” USC-Roski Graduate Campus Los Angeles, CA, February 4, 2020 [LECTURE] “Absolute Activity: In and Around the Archives of Queer X Design” Denison University, OH, October 15, 2019 [PAPER] “Poverty and Practice” Human Resources, LA, October 5, 2019 [PAPER] “All Artists Are Poor: Notes Toward a Polemic” Humanities and Human Flourishing Visual Arts consultation Philadelphia, April 12-13, 2019 [LECTURE] “In Praise of Blatant Images” Contemporary Arts Museum of Houston January 20, 2018 Video of talk [PANEL] LA/LX: Queer and Latinx in Los Angeles (College Art Association Annual Conference) February 2018 [RESIDENCY] Yvonne (Guatemala City, Guatemala) December 11 - January 2, 2017 Website de Yvonne</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Books - Athey is one…</image:title>
      <image:caption>…of the most important, prolific, and influential performance artists of the past four decades. A singular example of lived creativity, his radical performances are odds with the art worlds and art marketplaces that have increasingly dominated contemporary art and performance art over the period of his career. Queer Communion, an exploration of Athey’s career, refuses the linear narratives of art discourse and instead pays homage to the intensities of each mode of Athey’s performative practice and each community he engages. Emphasizing the ephemeral and largely uncollectible nature of his work, the book places Athey’s own writing at its centre, turning to memoir, memory recall and other modes of retrieval and narration to archive his performances. In addition to documenting Athey’s art, ephemera, notes and drawings, the volume features commissioned essays, concise 'object lessons' on individual objects in the Athey archive, and short testimonials by friends and collaborators including Dominic Johnson, Amber Musser, Julie Tolentino, Ming Ma, David Getsy, Alpesh Patel and Zackary Drucker, among others. Together they form Queer Communion, a counter history of contemporary art. Available from Intellect Press Spring 2020</image:caption>
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    <lastmod>2020-05-05</lastmod>
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