Andy Campbell

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Wearing History: Viola Johnson's Pin Sash and Mobile Archive

"Floor, Ceiling, Wall, Garden, Market: The Curatorial Scene of Twenty Centuries of Mexican Art"

The Schematics of Control: Robert Morris's Philadelphia Labyrinth and In the Realm of the Carceral

What's This?... Out of the Darkness...Can It Be?...

One I Know: Sherin Guirguis’s One I Call and the Durability of Form

STILL WORKING On Richard Meyer and David Román’s Art Works, Parts 1 & 2

Letter to my students on the Morning After the Election of Donald Trump

"We're Going to See Blood on Them Next": Beverly Buchanan's Georgia Ruins and Black Negativity

Cultural Diplomacy, Cultural Quotation: The Ceramic Circuits of Karen Koblitz

Paul Mpagi Sepuya

Catalogue Entries

Dean Sameshima: Public Sex Zine/Catalog

La Sombra, de Margolles: El Espectro de la Muerte en Los Ángeles

Does the Internet Have a Libido?

"Parades Go By"

[Review] Texas Contemporary 2015

Sister Undetectable

Houston's Duck Is/Was a Root Beer Barrel: Eclectic Historicist Architecture in Energy City

"Holding Pink: James Turrell's Twilight Epiphany, Banked"

"Troubling Circuits"

"On Bletology" and "On Mickey (en Español)"

How to Be Singular Plural

Prying Optics: An Essay in Four Incongruent Parts with an Epilogue

To Kalup (with love)

Reviews and short texts: Artforum, Modern Painters, and The Austin Chronicle (2007-2015)